A bit of history. It is necessary to take a long and compelling step backwards, a full 66 years. In 1958 Giovanni Trinchese started a tailoring workshop in the immediate surroundings of Naples, which immediately took the name ``Sartoria Trinchese,`` putting to use the skills learned from his maternal uncle, Giovanni La Manna. Thanks to a certainly un common wealth of expertise, the new business soon positioned itself in the upper range of the Neapolitan ``handmade and well-made`` scene, which has London tailoring as its only term of comparison in the world.

Identity. Without forgetting a significant and singular period of Giovanni's activity in Addis Ababa, Ethiopia, his wife's country of origin, ``Sartoria Trinchese`` translates in its tailor-made creations all the numerous, peculiar and determining values of tailoring made in Naples. On the professional, but also ethical-moral level, we can speak of self-denial, dedication, love and propensity for care and perfection as well as for the beauty of uniqueness and refinement. On the more directly executive level, the manual skill that touches every work phase, the thousand abilities that give life to uniqueness itself, the living and throbbing experience always in progress, the expertise put in place with genuine love and handed down from generation to generation are worth while. It is not an exaggeration to compare Neapolitan tailoring, and certainly the Trinchese atelier, to the Renaissance workshop, with a master craftsman of creativity, always aimed at the superlative and the ``admirable`` and a point of reference for a cohesive and unique set of specialized figures.

Coordinates. In men's and women'swear, the craftsmanship by Trinchese creates suits, jackets, pants, outerwear in the pure and absolute sign of ``custom made``, intended for gentlemen and the ``gentlewomen`` of our time who always are protagonists of their own style, thus for prominent names in the world of professions, information, show business and entertainment. Without neglecting the young people, if not very young ones: after the overdose of ``trends`` now it is not uncommon for a 20-year-old to want at least a tailored jacket, something really special and not standardized. Thus, the ``timeless`` and primary valence of level tailoring also becomes ``ageless``. Care defines the choice of materials: cashmere, wool, silk, linen and silk blends, with no shortage of authentic fur, exclusively ``re-used`` and reinterpreted for the interiors of the warmest and most valuable coats. Nor is there any lack of attention to sustainability, which for Sartoria Trinchese is by no means a topical trend. Always, in the atelier, fabrics are available in the necessary quantity, determined by orders, and therefore nothing is thrown away or wasted. Finally, the plus of lightness, in construction and material, matured over time, must be considered. In 1958 people lived ifferently. Now we move more, travel more frequently, our anatomical constitution has also changed, little or a lot, comfort is not confined to the sphere of sports and leisure, but has become a necessity and pleasure even in working hours. And lightness also means brio, ease, fluency while being impeccable in the garment.

One step forward. It is the third generation to accomplish it, in the figure of Michele Trinchese. Thanks to his solid training in fashion design, but also to an innate propensity, a genetic talent that directs him to creativity dropped into the contemporary, he is the ``Tailor ofthe Third Millennium,`` in a logic that could be called ``fusion`` and that crosses the indispensable notions of tailoring with a greaterimprintingof ``ease``,thusloose and dynamic, descendingdirectlyfrom an anatomical approach to the project of creation and construction of the garment, as if it were it given identity with respect to the body, but also to the personality of those who choose and wear it. Without lacking a current, contemporary vision of well-dressing and authentic elegance, which is all but impossible to transpose even in ``made-to-measure.``
Horizons. If the headquarters or, rather, the heart of ``Sartoria Trinchese`` remains firmly in Naples, Michele is committed with his usual determination to set up an archipelago of boutique-laboratories: places and spaces where bespoke is ``at home,`` where the customer is welcomed, chooses, is advised and followed by qualified personnel who collect measurements, needs and desires, with total respect for confidentiality, to send them immediately to the Neapolitan atelier.

Network. Meanwhile a series of co-branding projects with other exclusive realities in the sphere of style and excellence is already a reality. Among the most recent and significant episodes, the participation in the ``Cortina Fashion Week`` in December 2023 should certainly be mentioned. In fact, the prestigious and historic maison of signature fur coats Pajaro, founded in 1975 in Abano Terme by Vinicio Pajaro, hosted in its Cortina store the event ``The Art of Bespoke Tailoring``. In this occasion Sartoria Trinchese presented a ``special edition`` of Men's outerwear, to which the store itself reserved a dedicated corner. The Neapolitan house' designs presented in an incredibly sophisticated but no less welcoming setting, were marked by a material definition that concretized the involvement and unprecedented partnership between the two creative and production realities. The sartorial garments of the Neapolitan maison were in fact complemented, enriched and thus made even more unique by lapels and removable fur interiors made by the Padua-based brand.